Why Can Use Cytomic The Glue Free Download:ĭuring the test period, I used The Glue on a bunch of different instruments and group channels, with great success. The topmost compression meter displays the depth of compression in an RMS-level fashion, and clicking the display will show the amount of peak compression too. It’s basically a fixed waveshaper that is linear up to ‑2dB, has a smooth curve to ‑0.5dB, and is then horizontal. To catch overshooting transient peaks, there is a peak clipper available with zero attack and release time, and with a fixed infinite ratio and medium knee. Unfortunately, the VST3 standard is not yet supported, so the success of setting up an external side‑chain very much depends on the DAW host and its ability to route audio in a flexible way. When you press the external side‑chain button, the plug‑in reports one or two extra inputs - depending on whether it is set up for mono or stereo processing - making it possible to use any signal to control the compressor. The side‑chain EQ is a gentle 6dB/octave filter with a cutoff frequency that can be set from zero to 2000Hz, and it can be applied to the internal signal or an external side‑chain signal. Threshold and make‑up gain is represented by two knobs but, more interestingly, there is a compression range knob, which limits the maximum amount of compression applied, regardless of the other settings. As for the release settings, they range from 0.1 to 1.2 seconds, with the classic auto‑release at the clockwise extreme. The attack settings range from 0.01 to 30 milliseconds (the fastest setting is not present in the original hardware). At 4:1, the compression becomes more obvious, and at 10:1, The Glue is basically a peak limiter. The classic three‑step ratio knob is positioned in the middle of the interface, and at its 2:1 setting a relatively subtle soft‑knee compression is applied. The two pretty much share the same settings except that there are additional attack and release settings in the plug‑in, along with a high‑pass sidechain filter, Dry/Wet control, and compression Range control.
During the process of creation, and XLogic hardware unit was used to compare and tweak the performance of the plug‑in.
Schematics from the SSL E‑series bus compressor have been used to build the digital model, but instead of modelling the non‑linearity of the VCAs, a ‘perfect’ VCA has been modelled, which makes The Glue Mac Free sound more like the modern SSL XLogic G‑series compressor. The Glue Vst Free is based on the highly acclaimed SSL bus compressor. Also included is support for the sidechain and a configurable sidechain high-pass filter. The plugin is fast and easy to use and has an uncluttered interface.Īdditional features include a superfast attack time of 0.01 ms and a Range knob that slows down the compression to create incredibly natural attacks and limits the maximum compression level. It uses the same high-quality algorithms that are used in the original schemes but optimized for real-time use.
It uses the same high quality algorithms as circuit simulators, but is optimized for fast execution and has a nice and fully scalable user interface.Ĭytomic The Glue Free is a high-quality model, the emulation of which is based on a hybrid of the bus compressors of the series SSL 4000 E and G, but with the addition of some additional functions.
So how does both compressors compare on a mix? Cytomic The Glue Crack is an analog-modeled compressor plug-in, based on the classic British console bus compressor of the 80s and offering additional practical functions. Master Buss The SSL Compressor is widely used as the “glue” for many commercial mixes.
Moving on to the snare, the snare drum has a more “crack” with the Waves SSL Comp as compared to Cytomic’s. The attack of the kick drum is slightly enhanced with the Cytomic Compressor as well. Cytomic The Glue Dynamics Processor 1.3.19 With Complete Library Here!